Lismore Mastering is a new mastering studio founded by Sam Proctor in Sheffield, England.
Sam graduated from the prestigious Liverpool Institute for the Performing Arts in 2001 with a degree in Sound Technology and has since been working in recording, producing and mixing. In recent years more and more of his time has been taken up by mastering, hence the formation of Lismore Mastering.Sam has a Masters Degree (Distinction) in Record Production from the London College of Music where he worked for many years as Senior Lecturer in Music Technology.
Sam's recent work has been played on BBC Radio 2, BBC6Music and many other radio stations.
“Sam did a fantastic job of mastering our album. He totally understood where we were coming from and what we wanted to convey with our music and the finished product sounds better than we ever thought it would. Highly recommend!”
Will Allen, Brown Boots
“I’ve recently had my TuneChaser EP mastered by Sam and can’t recommend him highly enough – great service, really responsive and a thoroughly professional service throughout. 5 star service. *****”
“Sam at Lismore Mastering has a very finely tuned pair of ears, not to mention a well treated room and top-end tech. He will really bring the best out of your mixes and he is always a pleasure to work with! “
Rowan Piggott, The Wilderness Yet.
“Sam mastered our album More Than One and we were absolutely delighted with the result. The mastering really subtly and sensitively brought the recordings to life.”
Ewen MacDonald, The Idumea Quartet
“Sam’s work is fantastic. Super quick service and I was able to listen to him make adjustments to the master tape of my Drum and Bass track in real time. Would recommend to anyone needing a dance music mastering service.”
“Sam at Lismore has been great to work with – he’s remotely mastered an album I mixed (Nov 2020). At every point he’s been reliable, quick, very willing to adapt, thoughtful. He has used top quality kit and provided us with an excellent, well-balanced master and offered nuggets of creative input on the mix which is like having a second pair of ears. Thanks Sam:
Tom Moore, Slow Worm Records
“Sam did a fantastic job mixing and mastering a studio track I had previously recorded. Very professional, creative, patient and an all-round top bloke!”
Paul Oliver, Ganbei Records
“Sam did an awesome job mastering my home recorded EP ‘The Well’. He brought out the best in it and it sounds like a record now! Very happy and will be working with Sam again.”
“Sam recently mastered my latest single and honestly did such an incredible job! Sam’s ability to translate my intentions for the track, bringing them to life was so perfectly executed, along with his ability to bring out the full potential of the track in the master – the final outcome completely surpassed my expectations. All this, coupled with unrivalled professionalism and incredibly fast turn around, I honestly could not recommend Sam highly enough!”
“Sam has engineered, produced and mastered several projects for me
over the past 5 years. He’s very easy to work with and because he’s
also a performer, knows exactly the kind of sound I want.
He recently mastered an album for me for the first time
and has made the record blossom even more. Thanks Sam!”
Holly Harman, Penny Fiddle Records
“Sam helped me out with rock band Revolvers single American Dreams. Once I mixed the track I attempted to master it myself but couldn’t quite get what I was hearing in my head. That’s when I contacted Sam! Within a matter of hours, Sam sent back the mastered track and it sounded phenomenal. It had the beef and urgency I was anticipating for the final product. Sam is great to work with and is passionate about what he does. His mastering services promise a quick turnaround and brilliant results. You can feel safe in the hands of Sam and his mastering skills. I highly recommend Lismore to anyone looking for great mastering services. I am absolutely thrilled with how it sounds when I play it through my studio monitors. 10/10! Thank you Sam/Lismore!”
James Thurling, The Revolvers
“As a mastering engineer Sam is very musical, able to compress without squashing and highlight the right details, leaving you the sense that he’s really listened and understood the tracks, without adopting a ‘one-size-fits-all’ approach.
The Askew Sisters, Crossharbour, The Wilderness Yet, Burnout. The Idumea Quartet, Garefowl, Charlie Piggott & Rowan Piggott, The Fontana’s, Nick Hart, Slow Worm Records, Movimiento Records, Johnny FK, Michael Walsh, Joe Devine, John Devine, Emma Sweeney, Becky Taylor, Paul Go, Brown Boots, DJ MAK, The Twisted Twenty, Alexis Bennett, Matt Tighe and Tad Sargent, Nick Saunders, Luke Daniels. Sara Daniels, Jade (S. Korea), The Croshaw Family, Wilma, Dave Flynn, Son Hot Stroll (S. Korea) and more…